Intensive study of the fundamental materials and procedures of tonal music. Writing of harmonic progressions and setting of melodies and figured basses using triads and seventh chords and their inversions. Two-part counterpoint in all five species. Introduction to chromaticism, applied dominant relationships, modulation, and tones of figuration. Emphasis on the linear origin of many chord successions. This course meets four times a week.

Intensive study of the fundamental materials and procedures of tonal music. Writing of harmonic progressions and setting of melodies and figured basses using triads and seventh chords and their inversions. Two-part counterpoint in all five species. Introduction to chromaticism, applied dominant relationships, modulation, and tones of figuration. Emphasis on the linear origin of many chord successions. This course meets four times a week.

Intensive study of the fundamental materials and procedures of tonal music. Writing of harmonic progressions and setting of melodies and figured basses using triads and seventh chords and their inversions. Two-part counterpoint in all five species. Introduction to chromaticism, applied dominant relationships, modulation, and tones of figuration. Emphasis on the linear origin of many chord successions. This course meets four times a week.

Intensive study of the fundamental materials and procedures of tonal music. Writing of harmonic progressions and setting of melodies and figured basses using triads and seventh chords and their inversions. Two-part counterpoint in all five species. Introduction to chromaticism, applied dominant relationships, modulation, and tones of figuration. Emphasis on the linear origin of many chord successions. This course meets four times a week.