NCOM
3166

Race, Ethnicity, and Class in Media

Schools of Public Engagement: Media

Race, Ethnicity,Class in Media
Fall 2023
Taught By: Terri Bowles
Section: A

Course Reference Number: 2794

Credits: 3

The course will provide an in-depth analysis of- and reflection upon- media images from across the broad spectrum of the industry: Hollywood cinema, independent film and the news media and how they influence society's perception of race, class, and gender issues. The course will highlight the diverse nature of these images from the perspectives of: social and political significance, stylistic influences and historical placement within the cultural context. Both contemporary and classic works will be screened, beginning with an examination of the dominant images of people of color portrayed in mainstream media. Some of the questions we will investigate include: where do these images originate? What are the underlying assumptions behind these images? What social function might these portrayals serve? Is race a social or biological construct? What are the social implications which perpetuate and are reinforced by an underlying worldview? What has been the influence or lack thereof of media from within these ethnicities and cultures on the Hollywood and independent industries? This course counts towards the Ethnicity and Race Minor.

College: Schools of Public Engagement (NS)

Department: Media (MED)

Campus: New York City (GV)

Course Format: Seminar (R)

Max Enrollment: 9

Race, Ethnicity,Class in Media
Fall 2022
Taught By: Terri Bowles
Section: A

Course Reference Number: 2794

Credits: 3

The course will provide an in-depth analysis of- and reflection upon- media images from across the broad spectrum of the industry: Hollywood cinema, independent film and the news media and how they influence society's perception of race, class, and gender issues. The course will highlight the diverse nature of these images from the perspectives of: social and political significance, stylistic influences and historical placement within the cultural context. Both contemporary and classic works will be screened, beginning with an examination of the dominant images of people of color portrayed in mainstream media. Some of the questions we will investigate include: where do these images originate? What are the underlying assumptions behind these images? What social function might these portrayals serve? Is race a social or biological construct? What are the social implications which perpetuate and are reinforced by an underlying worldview? What has been the influence or lack thereof of media from within these ethnicities and cultures on the Hollywood and independent industries? This course counts towards the Ethnicity and Race Minor.

College: Schools of Public Engagement (NS)

Department: Communication (NCOM)

Campus: New York City (GV)

Course Format: Seminar (R)

Max Enrollment: 9

Race, Ethnicity,Class in Media
Spring 2022
Taught By: Terri Bowles
Section: A

Course Reference Number: 10673

Credits: 3

The course will provide an in-depth analysis of- and reflection upon- media images from across the broad spectrum of the industry: Hollywood cinema, independent film and the news media and how they influence society's perception of race, class, and gender issues. The course will highlight the diverse nature of these images from the perspectives of: social and political significance, stylistic influences and historical placement within the cultural context. Both contemporary and classic works will be screened, beginning with an examination of the dominant images of people of color portrayed in mainstream media. Some of the questions we will investigate include: where do these images originate? What are the underlying assumptions behind these images? What social function might these portrayals serve? Is race a social or biological construct? What are the social implications which perpetuate and are reinforced by an underlying worldview? What has been the influence or lack thereof of media from within these ethnicities and cultures on the Hollywood and independent industries?

College: Schools of Public Engagement (NS)

Department: Communication (NCOM)

Campus: New York City (GV)

Course Format: Seminar (R)

Max Enrollment: 8

Race, Ethnicity,Class in Media
Fall 2021
Taught By: Terri Bowles
Section: A

Course Reference Number: 2794

Credits: 3

The course will provide an in-depth analysis of- and reflection upon- media images from across the broad spectrum of the industry: Hollywood cinema, independent film and the news media and how they influence society's perception of race, class, and gender issues. The course will highlight the diverse nature of these images from the perspectives of: social and political significance, stylistic influences and historical placement within the cultural context. Both contemporary and classic works will be screened, beginning with an examination of the dominant images of people of color portrayed in mainstream media. Some of the questions we will investigate include: where do these images originate? What are the underlying assumptions behind these images? What social function might these portrayals serve? Is race a social or biological construct? What are the social implications which perpetuate and are reinforced by an underlying worldview? What has been the influence or lack thereof of media from within these ethnicities and cultures on the Hollywood and independent industries? This course counts towards the Ethnicity and Race Minor.

College: Schools of Public Engagement (NS)

Department: Communication (NCOM)

Campus: New York City (GV)

Course Format: Seminar (R)

Max Enrollment: 8

Race, Ethnicity,Class in Media
Fall 2020
Taught By: Michelle Materre
Section: A

Course Reference Number: 2794

Credits: 3

The course will provide an in-depth analysis of- and reflection upon- media images from across the broad spectrum of the industry: Hollywood cinema, independent film and the news media and how they influence society's perception of race, class, and gender issues. The course will highlight the diverse nature of these images from the perspectives of: social and political significance, stylistic influences and historical placement within the cultural context. Both contemporary and classic works will be screened, beginning with an examination of the dominant images of people of color portrayed in mainstream media. Some of the questions we will investigate include: where do these images originate? What are the underlying assumptions behind these images? What social function might these portrayals serve? Is race a social or biological construct? What are the social implications which perpetuate and are reinforced by an underlying worldview? What has been the influence or lack thereof of media from within these ethnicities and cultures on the Hollywood and independent industries? This course counts towards the Ethnicity and Race Minor.

College: Schools of Public Engagement (NS)

Department: Communication (NCOM)

Campus: Online - Inactive (DL)

Course Format: Seminar (R)

Max Enrollment: 10

Race, Ethnicity,Class in Media
Fall 2019
Taught By: Michelle Materre
Section: A

Course Reference Number: 2794

Credits: 3

The course will provide an in-depth analysis of- and reflection upon- media images from across the broad spectrum of the industry: Hollywood cinema, independent film and the news media and how they influence society's perception of race, class, and gender issues. The course will highlight the diverse nature of these images from the perspectives of: social and political significance, stylistic influences and historical placement within the cultural context. Both contemporary and classic works will be screened, beginning with an examination of the dominant images of people of color portrayed in mainstream media. Some of the questions we will investigate include: where do these images originate? What are the underlying assumptions behind these images? What social function might these portrayals serve? Is race a social or biological construct? What are the social implications which perpetuate and are reinforced by an underlying worldview? What has been the influence or lack thereof of media from within these ethnicities and cultures on the Hollywood and independent industries? This course counts towards the Ethnicity and Race Minor.

College: Schools of Public Engagement (NS)

Department: Communication (NCOM)

Campus: New York City (GV)

Course Format: Seminar (R)

Max Enrollment: 17

Race, Ethnicity,Class in Media
Fall 2018
Taught By: Michelle Materre
Section: A

Course Reference Number: 3314

Credits: 3

The course will provide an in-depth analysis of- and reflection upon- media images from across the broad spectrum of the industry: Hollywood cinema, independent film and the news media and how they influence society's perception of race, class, and gender issues. The course will highlight the diverse nature of these images from the perspectives of: social and political significance, stylistic influences and historical placement within the cultural context. Both contemporary and classic works will be screened, beginning with an examination of the dominant images of people of color portrayed in mainstream media. Some of the questions we will investigate include: where do these images originate? What are the underlying assumptions behind these images? What social function might these portrayals serve? Is race a social or biological construct? What are the social implications which perpetuate and are reinforced by an underlying worldview? What has been the influence or lack thereof of media from within these ethnicities and cultures on the Hollywood and independent industries? This course counts towards the Ethnicity and Race Minor.

College: Schools of Public Engagement (NS)

Department: Communication (NCOM)

Campus: New York City (GV)

Course Format: Seminar (R)

Max Enrollment: 15

Race, Ethnicity,Class in Media
Fall 2017
Taught By: Michelle Materre
Section: A

Course Reference Number: 3700

Credits: 3

The course will provide an in-depth analysis of- and reflection upon- media images from across the broad spectrum of the industry: Hollywood cinema, independent film and the news media and how they influence society's perception of race, class, and gender issues. The course will highlight the diverse nature of these images from the perspectives of: social and political significance, stylistic influences and historical placement within the cultural context. Both contemporary and classic works will be screened, beginning with an examination of the dominant images of people of color portrayed in mainstream media. Some of the questions we will investigate include: where do these images originate? What are the underlying assumptions behind these images? What social function might these portrayals serve? Is race a social or biological construct? What are the social implications which perpetuate and are reinforced by an underlying worldview? What has been the influence or lack thereof of media from within these ethnicities and cultures on the Hollywood and independent industries?

College: Schools of Public Engagement (NS)

Department: Communication (NCOM)

Campus: New York City (GV)

Course Format: Seminar (R)

Max Enrollment: 18

Race, Ethnicity,Class in Media
Fall 2016
Taught By: Michelle Materre
Section: A

Course Reference Number: 5250

Credits: 0 OR 3

This course analyzes media images from the broad spectrum of the industry (Hollywood cinema, independent film, news media, etc.) in order to reflect on how these images shape people's ideas about race, class, and ethnicity. Our analysis highlights and critiques diverse images from the perspectives of social and political significance, stylistic influences, and cultural history. A wide range of film and video is screened and discussed. We first examine the portrayal of people of color in mainstream movies, contemporary and classic. We then discuss the development of independent filmmaking in communities of color, especially African-American, Asian-American, and Latino. We focus on the ways independent filmmakers of color have represented their own identities and experiences in and through the media they have created. How do their images differ from those in the dominant media? What influence do their images have in their own communities and in the dominant community? This course counts toward the Gender Studies minor.

College: Schools of Public Engagement (NS)

Department: Communication (NCOM)

Campus: New York City (GV)

Course Format: Seminar (R)

Max Enrollment: 17

Race, Ethnicity, Class in Medi
Fall 2015
Taught By: Michelle Materre
Section: A

Course Reference Number: 5968

Credits: 0 OR 3

This course analyzes media images from the broad spectrum of the industry (Hollywood cinema, independent film, news media, etc.) in order to reflect on how these images shape people's ideas about race, class, and ethnicity. Our analysis highlights and critiques diverse images from the perspectives of social and political significance, stylistic influences, and cultural history. A wide range of film and video is screened and discussed. We first examine the portrayal of people of color in mainstream movies, contemporary and classic. We then discuss the development of independent filmmaking in communities of color, especially African-American, Asian-American, and Latino. We focus on the ways independent filmmakers of color have represented their own identities and experiences in and through the media they have created. How do their images differ from those in the dominant media? What influence do their images have in their own communities and in the dominant community? This course counts toward the Gender Studies minor.

College: Schools of Public Engagement (NS)

Department: Communication (NCOM)

Campus: New York City (GV)

Course Format: Seminar (R)

Max Enrollment: 12