This seminar investigates the history, present state, and possible futures of fashion criticism. It will start by questioning the role and definition of criticism and its resonance in the field of fashion. Considering the tradition of criticism as it was forged in art history and literary studies, we will discuss possible models and their application to objects or images, performances or displays specific to the fashion industry.  This investigation will be based on the 20th and 21st centuries, when globalization has changed our vision of criticism. Questioning the identity and position of the critic within the fashion system, we will consider different paradigms as they emerge throughout the 20 th century: types of criticism and ‘spaces’ where it thrives will be explored to grasp more contemporary issues. Beyond a history of fashion’s mediations, the aim of this class, conceived as a research seminar, will be to assess and imagine ways of formulating a critical understanding of the present. Group discussions and debates informed by weekly readings will be central for this class and require an active and thorough involvement from the students.