Drawing / Imaging Drawing / Imaging explores how meaning is constructed and communicated through two-dimensional images. In this course you will use both traditional drawing techniques and digital imaging methods to consider the conceptual, aesthetic and formal qualities of visual representation. You will be encouraged to make work that feels risky and unknown and to work in ways that are unfamiliar. As you build skills of observation and representation, you will be guided through a process of attempting, failing and learning to trust. Drawing is a multidisciplinary tool. It is a form of thinking that can be used to help us see, imagine, strategize or give shape to an idea. This course will introduce you to a range of materials and media from charcoal and pencil to collage and photography, as well as Illustrator and Photoshop. Sketchbooks will be used to brainstorm, experiment, process and pursue curiosities. Alongside studio-based projects, the class has regular discussions, critique and ELP posts. Writing and conversation will place images in a historical and cultural context and create space for an exchange of ideas. The skills developed in this course are foundational to all majors and disciplines. Course description Drawing / Imaging will explore, but not limit itself, to the following questions: People What is a body? How do our bodies define us? How do we perceive and understand other bodies? Places and Things What is visible and invisible in our surroundings? What is our relationship to place? How do we create and derive meaning from objects? Language What can signs and symbols convey? How do visual images enhance or create meaning? Students will address these questions by using the concrete elements of design and observational drawing to explore and develop a visual language.

Drawing / Imaging Drawing / Imaging explores how meaning is constructed and communicated through two-dimensional images. In this course you will use both traditional drawing techniques and digital imaging methods to consider the conceptual, aesthetic and formal qualities of visual representation. You will be encouraged to make work that feels risky and unknown and to work in ways that are unfamiliar. As you build skills of observation and representation, you will be guided through a process of attempting, failing and learning to trust. Drawing is a multidisciplinary tool. It is a form of thinking that can be used to help us see, imagine, strategize or give shape to an idea. This course will introduce you to a range of materials and media from charcoal and pencil to collage and photography, as well as Illustrator and Photoshop. Sketchbooks will be used to brainstorm, experiment, process and pursue curiosities. Alongside studio-based projects, the class has regular discussions, critique and ELP posts. Writing and conversation will place images in a historical and cultural context and create space for an exchange of ideas. The skills developed in this course are foundational to all majors and disciplines. Course description Drawing / Imaging will explore, but not limit itself, to the following questions: People What is a body? How do our bodies define us? How do we perceive and understand other bodies? Places and Things What is visible and invisible in our surroundings? What is our relationship to place? How do we create and derive meaning from objects? Language What can signs and symbols convey? How do visual images enhance or create meaning? Students will address these questions by using the concrete elements of design and observational drawing to explore and develop a visual language.

Drawing / Imaging Drawing / Imaging explores how meaning is constructed and communicated through two-dimensional images. In this course you will use both traditional drawing techniques and digital imaging methods to consider the conceptual, aesthetic and formal qualities of visual representation. You will be encouraged to make work that feels risky and unknown and to work in ways that are unfamiliar. As you build skills of observation and representation, you will be guided through a process of attempting, failing and learning to trust. Drawing is a multidisciplinary tool. It is a form of thinking that can be used to help us see, imagine, strategize or give shape to an idea. This course will introduce you to a range of materials and media from charcoal and pencil to collage and photography, as well as Illustrator and Photoshop. Sketchbooks will be used to brainstorm, experiment, process and pursue curiosities. Alongside studio-based projects, the class has regular discussions, critique and ELP posts. Writing and conversation will place images in a historical and cultural context and create space for an exchange of ideas. The skills developed in this course are foundational to all majors and disciplines. Course description Drawing / Imaging will explore, but not limit itself, to the following questions: People What is a body? How do our bodies define us? How do we perceive and understand other bodies? Places and Things What is visible and invisible in our surroundings? What is our relationship to place? How do we create and derive meaning from objects? Language What can signs and symbols convey? How do visual images enhance or create meaning? Students will address these questions by using the concrete elements of design and observational drawing to explore and develop a visual language.

Drawing / Imaging Drawing / Imaging explores how meaning is constructed and communicated through two-dimensional images. In this course you will use both traditional drawing techniques and digital imaging methods to consider the conceptual, aesthetic and formal qualities of visual representation. You will be encouraged to make work that feels risky and unknown and to work in ways that are unfamiliar. As you build skills of observation and representation, you will be guided through a process of attempting, failing and learning to trust. Drawing is a multidisciplinary tool. It is a form of thinking that can be used to help us see, imagine, strategize or give shape to an idea. This course will introduce you to a range of materials and media from charcoal and pencil to collage and photography, as well as Illustrator and Photoshop. Sketchbooks will be used to brainstorm, experiment, process and pursue curiosities. Alongside studio-based projects, the class has regular discussions, critique and ELP posts. Writing and conversation will place images in a historical and cultural context and create space for an exchange of ideas. The skills developed in this course are foundational to all majors and disciplines. Course description Drawing / Imaging will explore, but not limit itself, to the following questions: People What is a body? How do our bodies define us? How do we perceive and understand other bodies? Places and Things What is visible and invisible in our surroundings? What is our relationship to place? How do we create and derive meaning from objects? Language What can signs and symbols convey? How do visual images enhance or create meaning? Students will address these questions by using the concrete elements of design and observational drawing to explore and develop a visual language.

Drawing / Imaging Drawing / Imaging explores how meaning is constructed and communicated through two-dimensional images. In this course you will use both traditional drawing techniques and digital imaging methods to consider the conceptual, aesthetic and formal qualities of visual representation. You will be encouraged to make work that feels risky and unknown and to work in ways that are unfamiliar. As you build skills of observation and representation, you will be guided through a process of attempting, failing and learning to trust. Drawing is a multidisciplinary tool. It is a form of thinking that can be used to help us see, imagine, strategize or give shape to an idea. This course will introduce you to a range of materials and media from charcoal and pencil to collage and photography, as well as Illustrator and Photoshop. Sketchbooks will be used to brainstorm, experiment, process and pursue curiosities. Alongside studio-based projects, the class has regular discussions, critique and ELP posts. Writing and conversation will place images in a historical and cultural context and create space for an exchange of ideas. The skills developed in this course are foundational to all majors and disciplines. Course description Drawing / Imaging will explore, but not limit itself, to the following questions: People What is a body? How do our bodies define us? How do we perceive and understand other bodies? Places and Things What is visible and invisible in our surroundings? What is our relationship to place? How do we create and derive meaning from objects? Language What can signs and symbols convey? How do visual images enhance or create meaning? Students will address these questions by using the concrete elements of design and observational drawing to explore and develop a visual language.