This is an editing class in which students, under the guidance of the instructor, will be responsible for editing several hours of documentary footage into a concise and carefully crafted work. The film that we will be editing as a class is a sprawling recently-shot adaptation by the instructor of James Joyce’s Ulysses. The film is currently in post-production and involves over two hundred hours of footage. This is not a class for someone wanting to edit their own film footage. Upon successful completion of the class, students will receive assistant editor credit on the film. [Track S]

This class gives you an overview of the entire post-production process, emphasizing how new technology shapes the way we tell a story. Topics include picture and sound editing, color correction, motion graphics, and visual effects. The class will explore film history, aesthetics, and technology. Students will review narrative, documentary, and experimental work, as well as edit several projects, exploring these different modes using pre-existing footage. The goal of the course is to develop the practical and analytic skills required of a filmmaker as a storyteller. To complete the course successfully, a computer or laptop capable of running Adobe Premiere Pro and a 250G external hard drive are required. NOTE: This course is open to Lang students only. Successful completion of Introduction to Screen Studies or an equivalent course as approved by the DDA is a requirement for entering the course. [Track S]

This class gives you an overview of the entire post-production process, emphasizing how new technology shapes the way we tell a story. Topics include picture and sound editing, color correction, motion graphics, and visual effects. The class will explore film history, aesthetics, and technology. Students will review narrative, documentary, and experimental work, as well as edit several projects, exploring these different modes using pre-existing footage. The goal of the course is to develop the practical and analytic skills required of a filmmaker as a storyteller. To complete the course successfully, a computer or laptop capable of running Adobe Premiere Pro and a 250G external hard drive are required. NOTE: This course is open to Lang students only. Successful completion of Introduction to Screen Studies or an equivalent course as approved by the DDA is a requirement for entering the course. [Track S]

This class gives you an overview of the entire post-production process, emphasizing how new technology shapes the way we tell a story. Topics include picture and sound editing, color correction, motion graphics, and visual effects. The class will explore film history, aesthetics, and technology. Students will review narrative, documentary, and experimental work, as well as edit several projects, exploring these different modes using pre-existing footage. The goal of the course is to develop the practical and analytic skills required of a filmmaker as a storyteller. To complete the course successfully, a computer or laptop capable of running Adobe Premiere Pro and a 250G external hard drive are required. NOTE: This course is open to Lang students only. Successful completion of Introduction to Screen Studies or an equivalent course as approved by the DDA is a requirement for entering the course. [Track S]

This class gives you an overview of the entire post-production process, emphasizing how new technology shapes the way we tell a story. Topics include picture and sound editing, color correction, motion graphics, and visual effects. The class will explore film history, aesthetics, and technology. Students will review narrative, documentary, and experimental work, as well as edit several projects, exploring these different modes using pre-existing footage. The goal of the course is to develop the practical and analytic skills required of a filmmaker as a storyteller. To complete the course successfully, a computer or laptop capable of running Adobe Premiere Pro and a 250G external hard drive are required. NOTE: This course is open to Lang students only. Successful completion of Introduction to Screen Studies or an equivalent course as approved by the DDA is a requirement for entering the course. [Track S]

This class gives you an overview of the entire post-production process, emphasizing how new technology shapes the way we tell a story. Topics include picture and sound editing, color correction, motion graphics, and visual effects. The class will explore film history, aesthetics, and technology. Students will review narrative, documentary, and experimental work, as well as edit several projects, exploring these different modes using pre-existing footage. The goal of the course is to develop the practical and analytic skills required of a filmmaker as a storyteller. To complete the course successfully, a computer or laptop capable of running Adobe Premiere Pro and a 250G external hard drive are required. NOTE: This course is open to Lang students only. Successful completion of Introduction to Screen Studies or an equivalent course as approved by the DDA is a requirement for entering the course. [Track S]

This class gives you an overview of the entire post-production process, emphasizing how new technology shapes the way we tell a story. Topics include picture and sound editing, color correction, motion graphics, and visual effects. The class will explore film history, aesthetics, and technology. Students will review narrative, documentary, and experimental work, as well as edit several projects, exploring these different modes using pre-existing footage. The goal of the course is to develop the practical and analytic skills required of a filmmaker as a storyteller. To complete the course successfully, a computer or laptop capable of running Adobe Premiere Pro and a 250G external hard drive are required. NOTE: This course is open to Lang students only. Successful completion of Introduction to Screen Studies or an equivalent course as approved by the DDA is a requirement for entering the course. [Track S]

This class gives you an overview of the entire post-production process, emphasizing how new technology shapes the way we tell a story. Topics include picture and sound editing, color correction, motion graphics, and visual effects. The class will explore film history, aesthetics, and technology. Students will review narrative, documentary, and experimental work, as well as edit several projects, exploring these different modes using pre-existing footage. The goal of the course is to develop the practical and analytic skills required of a filmmaker as a storyteller. To complete the course successfully, a computer or laptop capable of running Adobe Premiere Pro and a 250G external hard drive are required. NOTE: This course is open to Lang students only. Successful completion of Introduction to Screen Studies or an equivalent course as approved by the DDA is a requirement for entering the course. [Track S]

This class gives you an overview of the entire post-production process, emphasizing how new technology shapes the way we tell a story. Topics include picture and sound editing, color correction, motion graphics, and visual effects. The class will explore film history, aesthetics, and technology. Students will review narrative, documentary, and experimental work, as well as edit several projects, exploring these different modes using pre-existing footage. The goal of the course is to develop the practical and analytic skills required of a filmmaker as a storyteller. To complete the course successfully, a computer or laptop capable of running Adobe Premiere Pro and a 250G external hard drive are required. NOTE: This course is open to Lang students only. Successful completion of Introduction to Screen Studies or an equivalent course as approved by the DDA is a requirement for entering the course. [Track S]