The seminar is an overview of the field of voice studies, which intersects performance, critical theory, musicology, and linguistics. Readings by Jacques Derrida and Roland Barthes introduce concepts of vocal interiority and exteriority, which are met with practice-based and theory-based learning. The study of acoustics and biomechanics offers tools for hearing voices beyond gender and race, and help us become stronger and more creative speakers and singers. Unique artists such as Nina Simone, Meredith Monk, and Anthony Braxton are considered within metaphors of finding one’s authentic voice. Subjects include acousmatic listening, undoing voice bias, the history of singing instruction, and disembodied sound. Students will lead weekly class discussions, participate in group improvisation workshops, and keep a weekly journal.