This course will explore the history, philosophy and present landscape of film curation geared against the market imperatives of the mainstream film industry and the blind-spots of traditional film festivals. Emphasis will be placed on aesthetically and politically radical work and practices— and we will work together through debate and discussion to define those terms, considering the roles of race, gender, sexuality, capitalism, global orientation and artistic form in galvanizing countercultural film festivals. A selection of short/excerpted texts, film screenings/assignments and guest speakers will flesh out this history, resulting in individual research assignments and informed curatorial proposals. Students will gain first-hand experience throughout the semester by participating in the selection process for Prismatic Ground, a New York festival centered on experimental documentary and avant-garde work, which is scheduled annually in May.