The New School

Objectivity in the Humanities

Women in the Avant-Garde

Marxism and Neoliberalism

The Power of Social Imaginaries: Making Sense of the Political Today

Objectivity in the Humanities

Philosophy of Perception

The 1990s

Remixing the Moving Image

Video Games as Artifacts

Francophone Cinema After the New Wave

Personal Finances: From Paper to the Digital

The Oscar-Winning Film and its Discontents

The Musical

Digital Media Off-the-Grid

The Z-Axis (Introduction to 3-D Filmmaking)

The Zombie: Living and Dead Labor in Modernity

Adaptation: The Goalie's Anxiety at the Penalty Kick

Language/Moving Image

The Film Object

Cinema and the Computer

Radio/Audio Masterworks

Reimagining the Human

Generative Media and Artificial Intelligence: Digital Theories of Autonomy and Alienation

Sound and Vision

Stuart Hall & Cultural Studies

Trans | Aesthetics

21st Century Feminisms

Uses of the Past

Underground Music Scenes

Cultural Psychology

Theorizing Religion

Contested Heritage Sites: Appropriation and the Production of Culture

Performing Gender: Paris in the Roaring Twenties

You're So Funny: Comedy and the Performance of Self

“You Will Be Found”: Musical Theatre and Identity

Introduction to Food Studies

American Culinary History: From the Erie Canal to the Food Network

Drinking History: Fifteen Beverages That Shaped America

Food and Media

NYC Eats: Food, people, places

Hungering for Opportunities: Food and Migrations

Feasting Your Eyes: Food and Film

Drugs, Race, and Policy: Moving Beyond Institutional Racism in the War on Drugs

Survey of American Ceramics

Thesis Preparation: Lecture LD

Light: Critical Issues

Transdisciplinary Design Seminar 1

Art & Myth of Mexico

African Art

Japanese Art

Death of Cool: Subculture and Fashion

Modes of Seeing

Analyzing Trends

Directors on Directing: Contemporary Independent Cinema: DSC

China Today: Art, Economy, and Politics: Discussion Section