The New School

Techniques of Conducting

Techniques of Conducting

Theory Fundamentals 1A

Theory 1A Intensive

Theory 1A

Ear Training 1A

Dictation 1A

Theory 2A

Ear Training 2A

Dictation 2A

Theory 3A

Ear Training 3A

Dictation 3A

Analysis 1A

Form and Analysis for Undergraduate Students

Theory 4A: Tonal Composition

Dictation 4A

Ear Training 4A

Analysis 2A

Graduate Aural Skills

Time Tools: Rhythm and Pulse

Graduate Theory 4A: Tonal Composition

1 Semester Theory Review for Graduate Students

Ear Training 1A for Graduate Students

Advanced Musicianship

Analysis

Analysis 2 for Graduate Students

Advanced Theory for Graduate Students 1

Score Reading 1A for Graduate Students

Piano Literature 1A

Nineteenth-Century Tone Poems

Advanced Writing in Music: Preparation for Doctoral Studies

Theory Pedagogy for Graduate Students

Ear Training and Dictation Pedagogy A

Composition for Non-Majors

Fundamentals of Orchestration

Music Notation 1A

Orchestration 1A

Composition Forum

Music Notation 1A for Graduate Students

Composition for Non-Majors

Creating New Music Workshop: The Intersection of Composition, Improvisation, Rehearsal, and Ensemble

Jazz Mobility

Music of Miles Davis and Gil Evans

Jazz & Gender: Broadening the Scope

Music + Revolution: Greenwich Village in the 1960s

American Pop Music (1800-1955)

Film Scoring 1

Music Technology Seminar 1: Music Notation Software

Survey of the Music Business

Radio & Podcast Production 1

Audio Pro: Mix & Mast

Song Arts: Live In-Studio Pop Recording Workshop

Eyes of the Entrepreneurs

Piano for Vocalists

Senior Seminar