The New School

Drama Graduate Private Lesson

Creative Technologies

Intermediate Creative Technologies: Performance & Technology

Advanced Creative Technologies: Projection Design

Design for Directors & Writers

Analysis through Action

Stage Combat

Lucid Body Workshop

Grotowski 1

Dialects 2

Scene Study 2

Co-Lab 2.1

DIrecting Seminar 2.2

Playwriting 2.2

How Plays Work 2

Speech Lab

Theatrical Clown

Theatrical Clown 2

Vocal Production 3.1

Continuum 1

Industry Showcase

Dance for Actors 2.1

Directing the Full-Length Play

Directing the First Production

Shakespeare Studio 2

Writing for Film 1

Writing for Television 2

Process in Practice for Stage & Camera

Playwriting 3.1

Playwriting 3.2

Scene Study 3.2

Alexander Technique 3.1

Acting as a Business

Master's Thesis: Playwriting

Playwrights' Thesis Supervision

New Cinema Project Workshop

The Production Process

MFA Project Modules

Bridging the Virtual Divide: Applying the Michael Chekhov Acting Technique to Create Connection in t

Art, Inquiry and Civic Imagination

Process in Practice: Voice-over Intensive

Classical Studio: Macbeth

Devising: Frantic Assembly

Devising: ERS

Drama Graduate Production

Dramatic Structure and Style 2

Dramatic Structure and Style 1

Portfolio 2: Theater Practice

Global Dramatic Literature 1

Foundations in Acting

Vocal Production 1

Neutral Mask

The Actor's Body: Intro to Alexander Technique

Theatre Improvisation

Mime & Clown for Stage

Accepting the Ridiculous

Foundations in Acting 2

Voice & Movement: Linklater and Alexander

Foundations of Playwrighting

Intermediate Writing 1: One Act

Intro to Stage Management

Foundations of Directing

Intermediate Directing 1: Visual Perception & Stage

Intermediate Directing: The Actor/Director Relationship

Int Act: Act/Dir Relationship

Intermediate Directing: The Director/Writer Relationship

Intermediate Playwriting: The Director/Writer Relationship

Acting Showcase 1: Digital Showcase

Acting Showcase 2

Drama Small Group Lesson

Portfolio B: Dramaturgy Through Design

Foundations of Playwrighting SGT

Foundations of Acting SGT

Creative Cafe

BFA Repertory Company

Bridging the Virtual Divide: Applying the Michael Chekhov Acting Technique to Create Connection in t

Art, Inquiry and Civic Imagination

IPA & Dialects

Intermediate Acting 1: Contemporary Technique 1

Intermediate Acting 1: Uta Hagen I

Intermediate Acting: Classical Technique

Michael Chekhov Technique

Race and Performance

Lucid Body Technique Movement Acting

Grotowski

Advanced Writing 1: Playwriting Lab

Advanced Directing I: The Contemporary Arc

Collaborative Theater Practices 1: From Rehearsal to Presentation

Devising: Frantic Assembly

Devising: ERS

Collaborative Theatre Practices 2

Contemporary Women Playwrights

CRS Methods: The Teaching Artist

CRS Methods: Documentary Theatre

CRS Methods: Documentary Theatre 2

CRS: The Teaching Artist in the Field

Portfolio C1: Professional Development

Portfolio C2: Prof. Practice

Internship

Advanced Acting 2: Acting on Screen 1